Painting children from life is difficult, I guess you need a good memory to finish any details incase they move which they do all the time so I decided on a longer pose using Winnie as she slept as an excuse but then again a true portrait of her would be bouncing and running around…..but that is easier said than done!
How did Sorolla paint the finest details in blinding sunlight as the children he painted ran along beaches and splashed in waves? He definently had magic in his paintbrush!
Marridge Hill in afternoon light on a cold but sunny winter’s day is a view I have always wanted to paint and its been around a long time. Almost unchanged since the 16th Century it is British farmland at its best!
The hill is made up of chalk which lends well to its reflecting colours from the sun enhanced by the dark trees in the foreground. Painting either in early morning or late afternoon light provides good shadows and a palette that is richer in reds. I hope to post more paintings soon from a recent trip to England!
Painting outisde in the winter is almost my favourite time of year as the woods are richer in colour especially after a rainfall, last years twigs and leaves decomposing with earthy umber tones, yellow, reds and grays . Enough of green which i find hard painting!
This river is actually a torrent and so it fills up pretty quickly and the water level is always changing, I painted this view from a window inside because outside was wet and cold, the sensible descision was to paint near a warm radiator at this time of year!
I know it is December but here is a painting from September! The meadow is near where i live and this year hay was continuously cut from it due to a long and rainy summer. The grass just kept on growing!