Just one building sits on top of this mountain, the Sanctuario della Madonna del Dragnone. Monte Dragnone is just over 1000mt high and it lies in the area of Zignago, in the La Spezia region of Liguria. It has a very steep and rocky path climbing up beneath the pine trees to the summit where todays Santuario sits. Built in the 1800’s on a pre-christian site signs of the bronze and iron age have also been found.
As popular tradition tells us the Madonna appeared infront of a deaf shepherdess miracolously bringing back her voice. The spiritual following of the Madonna del Dragnone, Patron of Zignago, is still very popular and on the 8th September pilgrims from far and wide, old and young make their way on foot to the top of Monte Dragnone to the Sanctuary.
This 17th century sanctuary of Nostra Signora dell’Ulivo is built on the hills overlooking Brugnato, a small Ligurian town that sits in the valley below Monte Dragnone. The Sanctuary has been built on one of the several oratories that were constructed by the Brugnato monks in the 7th Century. There wasn’t much room to get a good view of the facade, (and the same problem happened in the Dragnone Sanctuary!) however after a bit of exploring I preferred this view amongst the olive trees overlooking the valley. Each olive tree has metal plaques with names and dates on tied on chains around their trunks, if you are born here in this community then you can have an olive tree planted in your name.
Last month I subscribed to Making a Mark a practical and well known blog for artists. It is packed full of information, techniques and tips for art and business in the art world.
I was happy to see a mention of my painting During the Summer which was exhibited in the Royal Institute of Oil Painters, 2015 London show in December. The author goes to many art exhibitions and writes up a blog review afterwards. This was one of them.
Here is the link to her review and from here you can continue to read her other posts:
A brief scattering of snow in the hills above where we live is all what was given for this quick painting before the year is out. (It was quick because after a bit of standing around I find dark forests get cold and creepy!)
I decided to do a couple of rose studies while the roses were still flowering, for me roses and the soft autumn light this year is more inspiring than what was offered in spring. Autumn brings the most colourful season and it feels good to be outside painting it! While the undergrowth turns away for winter and the possibilities of summer are gone I noticed the little things that still hang on like the flowering roses, beautiful soft pink roses clashing with the autumn decay!
I tried to define the rose leaves and petals with a flat brush, cutting into the wet paint to “sculpt” the petal or leaf without drawing it was easier. There is alot to look at when painting foliage so it was time to forget about each individual leaf and look out for the areas of darks and lights.
Zinnia flowers are the lazy gardeners best friend. Last year I started off with just a few and this summer they had grown everywhere, a forest of colours attracting so many butterflies and hummingbird hawk-moths. They are late summers last burst of sunshine and even though autumn is here the sun is still shining on this terrace!
What struck me to paint this scene was the way that the brightly coloured flowers light up against the dark background which I think helps to break up some of the bushy leafy greens. After a bit of experimenting to get the flowers to jump out I decided to dull down and darken the green leaves while using different variations of colour, value and chroma to keep the green interesting. To express the brightness of the flowers which bring a bit of excitement into an otherwise big area of green I tried to keep the reds as saturated as possible, paint does not come close to real life’s value range and it is suprising how colours in nature are brighter than the colours you can make on the palette!
One of the most exciting things in Spring is waiting for the Wisteria to burst into cascading purple flowers (yes, my life is pretty exciting 😉 ) but after painting this I am pretty glad to wait another year until it flowers again.
Apparantly purple is a colour linked with royalty and mystery and it is also a difficult colour for our eye to discriminate because it has the shortest wavelength in the light spectrum. I definently found this to be true while painting and comparing the flowers to the green grass!
Marridge Hill in afternoon light on a cold but sunny winter’s day is a view I have always wanted to paint and its been around a long time. Almost unchanged since the 16th Century it is British farmland at its best!
The hill is made up of chalk which lends well to its reflecting colours from the sun enhanced by the dark trees in the foreground. Painting either in early morning or late afternoon light provides good shadows and a palette that is richer in reds. I hope to post more paintings soon from a recent trip to England!
In the garden during a summer morning is a distant memory with all these autumn rainy days! The darkness of the trees contrasting against the sun shining on the stone walls was helpful in this painting as it set off the dark and light values.