I had some yellow roses growing on a wall and with all the sun and dry weather this summer the blooms were at their best! This is an oil study I painted before they all disappeared.
In this painting I mainly used a flat brush. For me brushes are an important part of my equipment and the flat brushes especially because I find them to be the most versatile because you can make many different strokes, a wide stroke, a narrow stroke and then by twisting a triangular stroke which helped with the petals.
This summer I have been busy with lots of new works and I will post some them as soon as my computer is on the mend 😉
In Italy during May gardens are at their best, even when they have been forgotten but where everything still grows anyway. I stumbled across this villa and the garden that is almost abandoned and it was fun trying to put some long awaited colours into the greenery, with the spring grasses long and overgrown and the little wild flowers reaching through!
I decided to do a couple of rose studies while the roses were still flowering, for me roses and the soft autumn light this year is more inspiring than what was offered in spring. Autumn brings the most colourful season and it feels good to be outside painting it! While the undergrowth turns away for winter and the possibilities of summer are gone I noticed the little things that still hang on like the flowering roses, beautiful soft pink roses clashing with the autumn decay!
I tried to define the rose leaves and petals with a flat brush, cutting into the wet paint to “sculpt” the petal or leaf without drawing it was easier. There is alot to look at when painting foliage so it was time to forget about each individual leaf and look out for the areas of darks and lights.
Tip of the day: When painting in the English cold or any cold weather keep moving your feet or they will freeze to the ground. Tried and tested while painting here!
Luckily I had wollen fingerless (cashmere wool which I couldnt get dirty because they were my sisters’!!) mittens for my hands which kept them warm enough compared to my feet. I also read that to keep your hands even warmer you can wear a wool sock with a small hole in the end which allows you to hold a paintbrush with your bare hand and still have all the control you need, while the paintbrush tip pokes out from the end with no mess. I am looking forward to trying this as I am not sure how tricky it would be changing over brushes.
Also standing on a piece of cardboard can keep your feet from touching the freezing cold/snowy ground whereas helping to keep your whole body more comfortable which leads to longer comfortable sessions…but I guess hand knitted 100% woollen socks could help too!
Lambourn and the surrounding downland is a really pretty area best known today as a major horse racing centre and the Downs have many nice views to paint.
Marridge Hill in afternoon light on a cold but sunny winter’s day is a view I have always wanted to paint and its been around a long time. Almost unchanged since the 16th Century it is British farmland at its best!
The hill is made up of chalk which lends well to its reflecting colours from the sun enhanced by the dark trees in the foreground. Painting either in early morning or late afternoon light provides good shadows and a palette that is richer in reds. I hope to post more paintings soon from a recent trip to England!