Here are a few oil paintings of things that grew in our garden this autumn. I enjoyed doing the couple of still life paintings outside instead of placing what you find outside and then bringing them inside and placing them carefully on a table with the right light like i did with the onions.
These are the Crocus that you can use for cooking, the red strands of saffron are more valuable than gold and taste better too although I’ve heard some crocuses are posionous if eaten so be careful!
Beautiful pink onions from the garden, one of Renoirs most memorable paintings (in my eyes) was a still life of some onions – “Oignons”- that reminded me of these ones although I think his were a different variety with the skin being more yellow. His onions came from Naples 🙂
Three quinces from the tree lying in the grass, I love the shape of them and their classic yellow colour when they are ripe.
Here a few paintings while visiting the Isle of Wight. The weather was always sunny hence the repeating painted blue skies! This is a great spot of the entrance channel from Bembridge harbour leading into the sea. The old breakwater in the foreground is in need of repair as now the sand and shingle from the sea is fillling up the small harbour pretty fast. One day it will end up as a big sand pit. Then what will the owner of the harbour say?
This painting is currently on show in London for the Royal Society of Marine Artists in the Mall Galleries. It is a small still life of shells that my daughter found on Ducue Beach. When I got back to Italy I bluetacked the best shells onto a blue book and set them out in the sunlight to paint.
A nice spot of Bembridge Harbour to set up and paint where you can watch the boats and the tide go in and out, and the sand and shingle come in.
Seaview is walking distance along the beach from Bembridge when the tide it out. In the distance you can see the mainland.
Spring here is pretty busy but I didnt want to forget to do a few painting exercises! These two sketches were done alla prima which in italian means at ‘first attempt’ while painting with wet paint on top of wet paint and giving myself 40 mins max for each. I tried to catch just the gesture of the subjects using thick paint in some areas and leaving the darker areas with less. It is a fun and fast way to paint and I found it a good exercise in trying to be confident in putting down each brushstroke and then leaving it, a way which will hopefully earn me in the future to be a quicker painter! Using subjects that are constantly moving is another interesting way to work as you need to remember what you see because when you look back up at the subject from putting down a brushstroke it has changed yet again!
Below are a series of still life paintings that I did in the studio during 2008-2013. Those were the days when I could leave things untouched on a table to paint because now I share my ‘studio’ with a hurricane called Two Small Monsters! Although the mess on the ground does make for some inspiring compositions its a matter of time to capture it, you have to be quick.