I am really pleased that this painting of our vegetable garden “During the Summer” has been chosen to be exhibited in the Royal Society of Oil Painters Exhibition in the Mall Galleries, London from the 2nd Dec – 13th Dec. The exhibition will be showing over 300 paintings from 120 artists and I’m looking forward to seeing all the works on show.
This painting is something I worked on during this summer, it’s bigger than usual and a nice change to working small, I feel I can be more imaginative with more space on the canvas. Bigger brushes and less to worry about!
There is an art to selecting the site to grow vegetables and deciding what to plant in a small time limit, this summer in Italy was extremly hot and from experience painting is sometimes more simple than growing vegetables! Just like oil painting growing things requires alot of learning by mistakes and the best advice we get is from the local people who pass us down knowledge learnt from their previous generations working the land.
I painted this scene to remember what was growing here during the summer of 2015 and be reminded to bring about new changes for 2016. Next year it will be a completely different layout because seasonal scenes like this only last a couple of months before plants get eaten (the vicious cycle of life!) and new plants grow.
It would be great to see you on the 2nd December at the Royal Institute of Oil Painters Annual Exhibition 2015 – See more at:
After a bumpy drive uphill you will find yourself here at 1000 metres above sea level, (maybe with a flat tire too), out of the hot weather and into cool breeze mountain views of Val di Vara that overlook the Ligurian sea.
Just outside Cuccaro Club (a hotel/restaurant that is more retro than my Granny), along the road leading to the Casoni where I chose to paint on a couple of occasions this summer, grows an imposing pine forest that covers several hectares. It is considered among the most beautiful of the Ligurian Apennines, with trees that stand out clearly against the grassy slopes. It was planted almost 100 years ago to stabilize the land in wet weather due to the intense deforestation that over the centuries, weakened the mountain slopes of the area. The work was ordered by Mussolini and involved a large number of workers. A sign of prosperity and longevity and facist propaganda. Hopefully it won’t come into the hands of another facist leader to fill in the holes in the roads…
Last week I was having a conversation with an Italian about the differences between the English and Italians on the beach in Italy. We noticed that when an English person embarks onto the sandy shores they will hunt for a secluded spot in the shade, lather on a fair amount of sun cream and immerse themselves in a book, remaining quiet and semi clothed until the midday temperature rises when they will use this opportunity to go and sizzle in the sun.
On the other hand the Italian will be heard arriving 1km away, habitat the most dinstictive spot on the beach and occupy unneccesary quantities of umbrellas and deckchairs. They will then stand around the deckchairs and talk non stop about food, last nights’ terrible sleep due to the heat and why it is too hot to even be at the beach.
This painting was done in the shade under the pine trees (being English) at the beach in Liguria I often go to. I liked this little view with Porto Venere and the Palmaria in the distance (once you get past the couple having a loud discussion about how “Basta!! This place is rompendo i coglioni and we have to go away to another beach immediately because someone has taken our reserved sun lounger”! Finding shade is important when painting outside because working under the sun is hot and uncomfortable not to mention having sunlight on your canvas and pallet which will cause the values to be misjudged, i.e when you take your painting indoors you will find out you have painted everything too dark. If you have to paint in direct sunlight without an umbrella then you can mix your values lighter to compensate and if you have an umbrella dont attatch it to your easel on a windy day, you can imagine what would happen…it would be a case of a rompicoglioni moment!
The Palmaria is a small island near the Cinque Terre that lies infront of Portovenere and you can reach it by boat either from La Spezia or from Portovenere. With cool sea breezes and clear, clean blue waters it is by far the best place to be, both for swimming and sunbathing and especially painting. I look forward to going back and walking around the island which you can do in about one hour to search out more painting spots.
The first painting I did is looking toward the Gabbiano beach in the afternoon, the clear sunny colours and the beach stretching out into the sea inspired me to paint this view.
The second painting I did while using the same spot and same time of day when I painted the first painting but just turning around 180 degrees. Now the light was coming towards me so the church of San Pietro and the sunbathers were silhouetted against the sky which is an idea I like in this composition probably because the painting process was quicker as I was using a less colourful palette and concentrating mostly on the shapes.
My favourite time of day for painting is in the early evening, around 5pm when the light is softer and the shadows a little longer. I am glad to show my daughter that painting or drawing nature is a valuable lesson and it is helpful for her to notice the small and simple things as well as all the wonderful colours that it offers which can sometimes go unoticed. P.S. My dog Gwen who is a retired sheepdog likes to keep watch over the cat now that she has no sheep!