Last week I was having a conversation with an Italian about the differences between the English and Italians on the beach in Italy. We noticed that when an English person embarks onto the sandy shores they will hunt for a secluded spot in the shade, lather on a fair amount of sun cream and immerse themselves in a book, remaining quiet and semi clothed until the midday temperature rises when they will use this opportunity to go and sizzle in the sun.
On the other hand the Italian will be heard arriving 1km away, habitat the most dinstictive spot on the beach and occupy unneccesary quantities of umbrellas and deckchairs. They will then stand around the deckchairs and talk non stop about food, last nights’ terrible sleep due to the heat and why it is too hot to even be at the beach.
This painting was done in the shade under the pine trees (being English) at the beach in Liguria I often go to. I liked this little view with Porto Venere and the Palmaria in the distance (once you get past the couple having a loud discussion about how “Basta!! This place is rompendo i coglioni and we have to go away to another beach immediately because someone has taken our reserved sun lounger”! Finding shade is important when painting outside because working under the sun is hot and uncomfortable not to mention having sunlight on your canvas and pallet which will cause the values to be misjudged, i.e when you take your painting indoors you will find out you have painted everything too dark. If you have to paint in direct sunlight without an umbrella then you can mix your values lighter to compensate and if you have an umbrella dont attatch it to your easel on a windy day, you can imagine what would happen…it would be a case of a rompicoglioni moment!
The Palmaria is a small island near the Cinque Terre that lies infront of Portovenere and you can reach it by boat either from La Spezia or from Portovenere. With cool sea breezes and clear, clean blue waters it is by far the best place to be, both for swimming and sunbathing and especially painting. I look forward to going back and walking around the island which you can do in about one hour to search out more painting spots.
The first painting I did is looking toward the Gabbiano beach in the afternoon, the clear sunny colours and the beach stretching out into the sea inspired me to paint this view.
The second painting I did while using the same spot and same time of day when I painted the first painting but just turning around 180 degrees. Now the light was coming towards me so the church of San Pietro and the sunbathers were silhouetted against the sky which is an idea I like in this composition probably because the painting process was quicker as I was using a less colourful palette and concentrating mostly on the shapes.
During a trip to Florence i managed to paint the famous walls on the Oltrarno. It was so busy because it was an important festa, (The Feast of the Immaculate Conception) and I was unable to find a position in the centre and there was no way i was going to stand in the middle of a million tourists as i would loose my concentration in a second and probably end up in Japan! This is a view from the walls between Porta S. Giorgio and Porta S. Miniato, one of the entrance gates to the town as well as an old watch station, then to the left is the old gate of San Niccolo, standing 60 metres tall it is the tallest of the towers still standing today.
In the garden during a summer morning is a distant memory with all these autumn rainy days! The darkness of the trees contrasting against the sun shining on the stone walls was helpful in this painting as it set off the dark and light values.
Below are a series of still life paintings that I did in the studio during 2008-2013. Those were the days when I could leave things untouched on a table to paint because now I share my ‘studio’ with a hurricane called Two Small Monsters! Although the mess on the ground does make for some inspiring compositions its a matter of time to capture it, you have to be quick.